2007: Peter Leonhard Braun

Peter Leonhard Braun is a widely esteemed radio producer, writer, teacher and mentor who developed the European "radio feature" as a distinct form, and by doing so influenced generations of radio producers around the globe. His groundbreaking work “Bells in Europe” has been translated into more than a dozen languages.

Before Braun’s legendary productions, audio documentaries were trapped within the confines of the studio, with a narrator telling listeners about an event.  In the mid-1960’s Braun took radiomaking out of the studio and into the world. In 2004, he reminisced about those days: “My God what a liberation! We no longer wrote about a subject, we recorded the subject itself.  We were acoustic cameras, shooting our sound material in the wild.”

From 1974 through 1994, Braun lead in the Sender Freies Berlin (SFB) the largest documentary department in Germany. Producers around the world traveled there to learn from him, and he traveled far and wide to teach them. In 1974 Braun organized the International Features Conference which still convenes annually. He has been deeply involved with the international media competitions Prix Futura Berlin and the Prix Europa, and is currently treasurer and head of the radio division of the Prix Europa.

Glocken in Europa (50:56)
Trace the history of Europe through the ringing of bells across the continent - from birth announcements to calls to war.


Note!
This piece is in German! But this transcript should help you follow along.

Bells in Europe (22:06)
Here's a shorter version, with English translation as well as the original German narration, by Steve Wadhams. (CBC)

2006: Piers Plowright

Piers Plowright is an internationally respected producer who created radio dramas, documentaries and features for the BBC from 1967-1997. His work reinvented British radio by opening its doors to impressionistic, poetic and heartfelt styles of storytelling. His productions have won many prestigious radio awards including three Prix Italias and several Sony awards. Now almost seventy, Plowright continues to teach his craft and to produce work independently.

Plowright’s lasting contribution to radio was best described by BBC documentary editor Robert Ketteridge, who said, “In film, the British have Mike Leigh, Ken Loach and Peter Greenaway. In literature and drama, Salman Rushdie and Harold Pinter. And in radio, we have Piers Plowright.” He’s also been called the “Joseph Campbell of radio” and a “realist-magician” by Matt Thompson, a colleague from the BBC.

Hear and excerpt from one of Plowright's most acclaimed productions, and an interview from 2003:


Setting Sail: A Word or Two Before You Go
Both humorous and profound, Setting Sail gently tells stories of death, blending interviews with grave diggers, undertakers, funeral directors and the bereaved. First aired on the BBC in 1986, won a Prix Italia that same year.
(7:10 excerpt)


Radio Radio featuring Piers Plowright
Martin Spinelli's Radio Radio (a series exploring experimental radio) presents an extended interview with Plowright about the documentary tradition in British radio and excerpts from some of his adventurous work. First aired on Resonance-FM in 2003.
(44:59)

2005: Norman Corwin

Lauded as the “poet laureate of radio,” Norman Corwin is widely credited with creating some of the most important radio programs of the mid-twentieth century.  Some of Corwin’s most recognized works include We Hold These Truths (1941), marking the 150th anniversary of the Bill of Rights, and On A Note of Triumph (1945), celebrating the conclusion of World War II in Europe, a program Carl Sandberg called “one of the all-time great American poems.”

Describing Corwin’s influence, Ray Bradbury writes, “he taught us then not only how to open our mouths but how to insert bright pebbles beneath our tongues so that eventually we might fire forth a sentence not only worth listening to but thinking about. ” 

Corwin has garnered every major American award for his work and in 1993 was inducted into the Radio Hall of Fame. He’s also the author of 17 books, five stage plays, and numerous movie and TV works. Just as importantly, he has been a role model and an inspiration to many generations of radio reporters and producers.  Independent producer Marybeth Kirchner, a young colleague and friend of Corwins’, calls him “a brilliant, engaging personality, the rule by which the rest of us measure our work.”

Corwin returned to radio in the 1990’s, working with National Public Radio to rebroadcast past work and to create new programs including a series of radio plays in 2001 caIled More by Corwin. At 95 years old Corwin is still keeping busy, writing for radio and teaching journalism at the University of Southern California.


Read more about and listen to famous works by Norman Corwin at his site.

2005: Steve Wadhams

Steve Wadhams is a longtime producer for the Canadian Broadcasting Corporation, who, over the course of his 30 years at the CBC, has set himself apart as a masterful documentarian. Wadhams’ work has been recognized by a Prix Italia, two Major Armstrong Awards and the gold medal at the New York Festivals.  

Among his other achievements, Steve Wadhams is one of the original producers of CBC Sunday Morning and a co-founder of Radio's EAR (Experimental Audio Room) located in the CBC’s Toronto Broadcasting Centre. Wadhams has earned worldwide respect as an innovative thinker, continually interested in expanding the boundaries of storytelling. CBC producer Neil Sandell writes, “One of the hallmarks of Steve’s career is his willingness to take risks and reinvent himself... and a desire to push the creative envelope.” 

Wadhams’ career has been highlighted not only by the radio he has produced, but also by his significant role as a teacher and mentor. Colleague Havoc Franklin writes “what makes Wadhams’ contributions to radio so special is not only his long list of award winning productions, but his commitment and generosity of sharing those skills and passing them on.” 

Wadhams iscurrently a senior producer with the CBC's award-winning program Outfront, a daily forum that gives Canadians the opportunity to tell their stories in a variety of styles, from dramatic monologue to experimental documentary.

2004: Susan Stamberg

Susan Stamberg has been a journalist and host with NPR for more than 30 years. In 1972, as the co-host of the fledgling new program All Things Considered, she made broadcast history by becoming the first woman in the country to anchor a national news program. Stamberg, who was been inducted into the Broadcast Hall of Fame in 1996, is currently a Special Correspondent for NPR.

Susan Stamberg is highly revered by radio professionals as both an innovator and a mentor. Independent producer Neenah Ellis, who worked with Stamberg at NPR for many years, says she brought "a dogged news sensibility" to public radio, "and dared to let her self be known to listeners." NPR Producer and Editor Deborah George writes, Stamberg has "trained hundreds in our craft ... to work on a story with Susan is an education in how to think radio."

Beyond affecting her colleagues, Stamberg's work has also impacted countless listeners who identify with her conversational style and value her superb interviewing skills. Emily Botein, a producer for WNYC in New York, notes that "Susan Stamberg reminds us—as listeners and producers—to be present, to listen for what might come."


  Susan's Stamberg’s acceptance speech at the 2004 TCF awards ceremony. (9:06)
2003: Joe Frank

A master of the dark, humorous and sometimes absurd in radio, Joe Frank's work spans more than 25 years. He began in 1977 at WBAI, Pacifica's New York station, and later served as co-anchor of National Public Radio's All Things Considered in 1978. Over the course of the next two decades he produced and developed several radio series for KCRW and National Public Radio. Throughout Frank's career, he has been honored with many major industry awards, including the George Foster Peabody award and two Major Armstrong awards for radio drama.

Joe Frank has historically combined techniques of monologue, radio drama and talk radio to tell stories about the human experience. Tackling philosophical or spiritual questions, the programs are timeless explorations of life, death, alienation, faith and love. Over the years Frank's distinctive approach to making radio has inspired producers around the world to experiment with and stretch the medium beyond traditional boundaries.

In nominating him for this award, veteran producer Larry Josephson wrote, "For 27 years, Joe Frank has taken his craft to the outer limits of radio. He is a master of the medium, and a model for those who have followed." In supporting this nomination, radio innovator Jay Allison offered these thoughts, "Radio loves the darkness. There is no voice in America that fits inside the darkness better than Joe Frank's." Film director Francis Ford Coppolla put forth this observation, "As a radio artist, Joe stands with no equal."

Here are three samples of Joe Frank's work, as well as his introduction and acceptance speech at the 2003 Third Coast Festival Awards Ceremony. We also encourage you seek out more of Joe Frank's productions at joefrank.com.

  Larry and Zack
  O.J. Valet
  Sweepstakes Winner
  Joe Frank's Introduction, delivered by his good friend and longtime radio producer Larry Josephson
  Joe Frank’s acceptance speech, received by a spellbound audience at the Third Coast Festival Awards Ceremony
2002: Studs Terkel

Radio veteran and Pulitzer Prize-winning author and oral historian Studs Terkel has been on the radio for nearly 60 years, first as an actor in soap operas (he played a gangster!) then as disc jockey playing his choice of jazz, blues and opera music. After a short stint on television in 1952, Terkel began working for Chicago's fine arts station, WMFT. He began in the familiar role of d.j., but soon started inviting musicians and authors into the studio to talk about their craft, beginning his illustrious career as a consummate interviewer. In conversations with everyone from Tennessee Williams to Mahalia Jackson to Woody Allen, Terkel has brought to bear his knowledge, his wit and his voracious curiosity.

Studs Terkel is also a master documentarian, and through the years has captured the sounds of America in transition. For example, in 1963 while riding the train from Chicago to the civil rights march in Washington D.C., Terkel gathered the voices of anger, joy and ultimately optimism from people making that historic trip. In nominating him for this award Sydney Lewis, author and longtime assistant to Terkel wrote “anyone fortunate to catch him on the air was forever hooked, educated, entertained, moved and in some way changed. Neenah Ellis, writer and radio producer wrote “Studs Terkel is a certifiable national treasure and, miracle of miracles, he is also one of us.”

  Studs Terkel's 1963 documentary, This Train
  Neenah Ellis' introduction at the award ceremony, followed by Studs Terkel's acceptance speech at the TCF Awards Ceremony
2001: Bill Siemering

Bill Siemering has had a long and distinguished career in public radio. As a founding member and the first program director for National Public Radio, he helped conceptualize and develope the format for All Things Considered. As Vice President and Station Manager for WHYY-Philadelphia, he oversaw the development of many programs, including Fresh Air. The national weekly documentary series Soundprint earned more than 25 national and international awards under his stewardship. He has won the Edward R. Murrow Award and was a 1993 Mac Arthur Foundation Fellow.

In his present work as a special adviser to the Media Program of the Open Society Institute—a private operating and grant making foundation that promotes the development and maintenance of open societies around the world—Siemering has assisted in developing local independent public radio in new democracies including South Africa, Mozambique, Slovakia, Macedonia, Moldova and Mongolia.

Jay Allison's introduction to Bill Siemering
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